The fact is that much of what made up TMAs was intentionally not passed, changed and replaced with so much fluff.TSDguy wrote: I disagree with Jim and think I see what Bill is getting at. I've said before I don't believe in some magic hidden technique that is only passed down to those who have defeated a worthy opponent in mortal kombat. That's BS.
No question about this, we have seen and heard the evidence.
The motives are what they are, human.
As to the question of effectiveness..
This depends on your world view.TSDguy wrote: Anything you need to know about fighting comes from those that fight. The marines know more about fighting than some guy's dad ever did.
Whose Dad?
You have no idea what he, or they knew about their kind of combat and their art, their way of fighting or how good he/they was...
This attitude also assumes that "combat" whatever we mean by that, is a known quantity.. Meaning, the best way to engage in combat and teach folks to do same is a fixed and known animal....
With this I would have to strongly disagree.
Combat must first be defined.
And in these cases what we mean by "combat" is strongly culturally rooted. That means what combat means to you is not necessarily what it means to someone else from either another time or another place.
Regardless, IMO the most effective way to train and teach combat is a constantly evolving thing. Like any modern science, we can't say we have the best way to cure the sick, the best way to fly, etc, rather it is constantly evolving..
The question here is TMA..TSDguy wrote: Furthermore, people are willing to teach this stuff. SPEAR and whatnot... And then there is the whole KISS.
There is no doubt that information was lost, changed and omitted..
Some folks will swear that it doesn't matter.. Well then I submit: If some content doesn't matter then none of it matters and no training <system> matters--just go fight and you'll know all there is to know.. If this was the case there would never have been any need for systems, techniques, styles, training methods, study, etc, etc..
Of course, the reality is that we don't know everything, we are all still learning, all the time... If there was anything learned over the last several hundred years by those whom have studied, fought, died and contributed to these TMA then this information should be considered terribly vital to the study--especially if you study one of those arts.
And I think there is no question the ORIGINAL intent of the arts was for combat... But as I said, this may or may not be the same thing for everyone..Stryke wrote: Were getting back to what martial arts is designed for it`s function .
is it or ever was it martial ?
is it supposed to have a martial focus ?
was it ever to do with negotiating violence
As for understanding violence, I think this can very well apply to an art or not.. It depends on what we mean by this term.. Does a boxing coach understand violence? Well sure but it's a particular kind of violence. Does it cover all kinds of real world violence, no of course not. Rather it is a part of the big picture of this really very large and complex topic. No single art has the whole picture it can't.. Just like each discipline in school--the well rounded student must take more than a single subject to graduate.
Agreed. It can well be a DO or not and still be very much intended for combative use..Laird2 wrote: Is it Do or is it Jutsu? Well I hate hanging labels on things but if I were to call it anything I'd call it 1960 Uechi...Kanei's Uechi. Which I believe was called Uechi-ryu Karate-do.
Do I think it's the original ryu without dilution...no.
Do I think this sensei can use the system in a martial manner...yes of that I have little doubt.
The DO and JITSU issue is something that is a big part of this question too..
The Do arts, as I understand this, are very much designed for combat but the level of difficulty is reduced... In other words the DO is more for the hobbyist whereas the Jitsu training is more for the professional warrior--which can mean all sorts of things too..
Also correct, the reality is that all of this stuff has been changed over time and often not for the better.
The tradition I was taught is to try to leave the art better than you found it.. Don't solely take the word of the priest, use what you can, but in the end find your own truth..
If we all seek to do that instead of leaving the art strictly the way the Martian priest said and we back that up with hard work and results--the why and how, then there is hope for betterment and survival of the art.