Laird2
"why is there no short range training evident?"
Just guessing, and that is all it is...a couple of guesses. but off the bat 2 things come to mind.
1-Compared to some styles (styles used here as a "general" term) it already
is "short range."
So maybe its more or less a question of what and how somebody defines "short range?"
2-Maybe its a case of not
everything either was nor is not supposed to be
explictly spelled out for the student.
Its not hidden, its just that you can't cover every possible situation and attack and defense---think how "large" a system would have to be individually and
specifically lay out every conceiveable encounter and work up a specific response....and whom would possibly be able to consistantly train them all?
And reality being what it is...the second you think you have a utterly comprehensive all encompassing set of "bunkai" somebody, by accident or design comes up with something "new"...or at least something "new" as far as your oh-so-carefully designed system is concernd and now you have a potentially fatal "gap" if you will.
Maybe its better to teach a range of skills that can be applied/adapted to a wide range of situtations
as needed than--than specific responses to specific things?...Maybe we are expecting too much specificity from an art that was maybe
desgined to be "looser and more flexible" than, and less "concrete" than we think?
I recall some MA guy--whose name I can't recall once saying something like "I show all my students 2 of the corners, if they can't find the 3td point of the triangle, then they are not working very hard."..something like that.
Someone on this site once called martial arts as
"some assembly required" (2Green I think...don't know if it was his or he was quoting someone else..could have been Bill..really don't recall..sorry

) seems a perfectly reasoned postion to me.......pretty much
everything in life is more of a product of how hard we work and what we as individuals bring to it than an set of "buildt in" attributes.
You can be taught every possible aspect of painting and brush work----won't make you an artist.....mores the pity.
My first karate teacher refused to show us any "offical" bunkai for his kata...he would show us a whole
range of "possible" interpretations for any given "move"....his reasoning was if he told us "this is the application" people being people we would start thinking of it as being
"the one and only proper application"..after all "sensei told us this was "it."
On the 2nd question "Uechi been diluted?"
I'd have to ask "from what?"
Given that we know very little about what
exactly Uechi (and any number of other Okinawans) was learning in China, its kinda hard IMO to establish in the academic sense if anything was "watered down" and where exactly it happend....its entirely possible that if we could go back and ask the teacher of the man/men that trained Uechi's
teacher in China he/they would be quite put out at how much his students "diluted" what he taught them.
We just don't know.....and its unlikley that, supposition aside, we will ever know for sure.
Besides, as I see it it is, as mentioned. a largely academic question.
It may be a crude POV, but IMO MA is largely an individual, wholly situational kind of a thing...if it worked when and where you needed it to work then by defination it
works...pretty much period............that what you did was not "pure" or was 20% less than
theoretically maximally effective is less important than you ending up in one piece.
Like I said the idea that something has maybe, possibly, argueably, debatably been "diluted" at some remote point in time is far less important to me than how effective my training is today....and that I determine by hard sparring, hard partner work, strength training, bagwork, etc.